![]() ![]() This makes for a song that was perhaps too long to be performed in its entirety on pre-LP records I couldn't find any early recordings with both the verse and all the lyrics.Ībout the charts: We are considering only the familiar chorus section of the tune. The song was written with two sets of lyrics, involving a repeat of the "chorus" section. In Vernon Duke's piano arrangement, the verse begins like this (click to enlarge): That's a shame, as it's quite well-written. The original arrangement includes a lead-in "verse" that shows up in only one of these modern charts it's left out in most classic recordings of the tune. I'm only looking at these printed versions - analyzing the ways that various performing artists and arrangers have harmonized the tune would be another question entirely. In this post I'll make some observations about these nine charts. I looked at nine relatively modern charts, comparing them to the sheet music and to each other. A lot of subtleties in the piano part may be lost, while the chord pattern may be adjusted to be more improvisation-friendly. Modern charts consist of just melody and chord symbols. The chord symbols would produce a rough approximation of the more carefully-composed piano part. Chord symbols were generally an afterthought, added above the piano staves in case someone wanted to play along on guitar (or ukelele or banjo). Sheet music for tunes in this era consisted of the melody, printed above a complete piano arrangement. The sheet music really helped clarify what Vernon Duke had in mind. A couple of weeks ago I finally decided to look into what was what, and ordered a copy of the original 1934 sheet music. Vernon Duke's "Autumn In New York," a beautiful ballad that is an essential part of jazz repertoire, was first introduced as the closing number in a 1934 Broadway show, "Thumbs Up." For a nice writeup on the tune and the composer, check this article on .Ĭharts for "Autumn In New York" can differ considerably regarding the chord changes. ![]()
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